Following the same drill as before, I decided to highlight some of the shows that I thought were important in the last ten years. Same rules as before, but I liked Killer B #1's style so much I am going to do them one post at a time but with a twist. I am actually doing this countdown style. So I have 10 to get to, and sometime around December 31st I will unveil what I thought was the show of the decade
So without further ado...
More...The Chappelle Show: No show soared higher or flamed out more quickly. White kids everywhere started declaring themselves Rick James, even though most had no idea who Rick James was. People were talking about it everywhere and almost entirely by accident in a way that no one ever talked about Half Baked, even though I always argued we should.
Everyone knows how this story ended. Dave had an incredibly successful second season and then was offered $50MM to do several additional seasons. An offer he accepted then ran away from as he became less comfortable with the show and the pressures of fame and fortune.
Of course, the weirdest thing about all this, was how aware Chappelle was of his undoing as seen is this clip below...Chappelle's Show Dave Has $55 Million Buy Chappelle's Show DVDs Black Comedy True Hollywood Story
Friday, December 18, 2009
The OOs: TV Shows We Liked to Watch: #10
Posted by
Xtian
at
6:45 PM
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Labels: ask xtian, The 00s, we like to watch
Pop Culture Images of the Decade
Oh Man. Who can forget this crazy lady, with her crazy eyes? Is she the craziest looking person ever?
So why was everyone so surprised when the "Runaway Bride" Jennifer Wilbanks disappeared in 2005? As you'll recall, she went out for a jog in her ritzy Atlanta neighborhood and disappeared.
I'm not certain, but I think this was kinda the kickoff to the news media's "missing white girl" fetish. Or maybe it was Chandra Levy? But that was more of a political thriller.
Anyway, Wilcox hadn't been abducted and taken to Albuquerque by a Hispanic man as she claimed. She had just gone nuts.
Posted by
KillerB
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3:37 PM
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Labels: Ask KillerB1, The 00s
Wednesday, December 16, 2009
Amazing Photo!
Evil
Posted by
Evil
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10:33 PM
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Pop Culture Images of the Decade
It's All Xtian's Fault
Evil
Posted by
Evil
at
8:52 AM
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Pop Culture Images of the Decade
Ah - Adorable Prince Harry, he's so cute and innocent..... WTF!!!, is he dressed like a Nazi?
Oh, Harry, you royal douchebag. You've lived such a sheltered life you really don't know what offends people. Some day you will grow up and make Grandpa Philip seem seem positively charming and compassionate by comparison.
The Evolution of Tiger Woods
Evil
Posted by
Evil
at
12:19 AM
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Tuesday, December 15, 2009
Helping The Homeless... What A Scam!
Evil
Posted by
Evil
at
6:38 PM
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Pop Culture Images of the Decade
I think we can all remember where we were and what we were doing when we first saw this one...but let's not elaborate.
For those who want to pretend they don't know what this is because their strict parents and sheltered upbringing requires them to squash any suggestion of prurient tendencies, this is what Paris Hilton looks like while having sex in the dark, when shot with a military grade night vision camera. In case you were wondering.
Monday, December 14, 2009
Shocking Fact Of The Day
Evil
Posted by
Evil
at
8:52 PM
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Watch It, Obama
Evil
Posted by
Evil
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6:23 PM
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Worst Olympics Ever!
Evil
It's not good news for an Olympic host city when news outlets start publishing headlines like: "Rio's Olympic Task: Fighting Crime."
Visit msnbc.com for breaking news, world news, and news about the economy
This is going to be the WORST OLYMPICS EVER!!! I don't fault Rio, though. It's not their fault they have such chaos on their streets. I blame the insufferable Europeans on the Olympic committee who did this just to give the USA a big ol' F-YOU.
Posted by
Evil
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7:45 AM
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Sunday, December 13, 2009
Pop Culture Images of the Decade
Introducing my contribution the The Hose's Decadendingpalooza - memorable pop moments caught on film.
Today I bring you Fonzworth Bentley, P-Diddy's personal valet, making an even bigger than usual jackass of himself, holding an umbrella over his client's head as they stroll back to Diddy's yacht, anchored off the coast of Dipshitolia.
Where Are They Now? - Family Ties Edition
Posted by
Evil
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7:53 AM
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Saturday, December 12, 2009
Music that Mattered to KillerB
I think X-tian did an impressive and concise walk down his memory lane with the music of the aughts.
Rather than trying to think about artists - I'm going to think about places - specifically, places I lived, and what I remember about the music I was listening to. Just as the Counting Crows and Snoop Dogg will forever be associated with my freshman dormroom, many artist of the 00's will always remind me of places.
More...
Place: Nashville - my first solo apartment at 2108 Hayes Street, right next to the legendary Exit-Inn. My 00's began in October 1999 when I saw Ryan Adams play a solo gig there. Then, when Heartbreaker was released in September 2000, the decade was on! When Gold was released 1 year later, New York, New York was a Friday night anthem of sorts. I remember coming home from a Super-T show one night, New York, New York blaring, car full of the happiest people ever. Super-T was also a big part of my Nashville years. Aging gym teacher by day - Superman costumed soul/funk/punk explosion by night.
In 2002 I moved to New Haven CT. When I wasn't watching the Paris Hilton sex tape I spent a lot of my time pulling White Stripes songs off of Napster. Seven Nation Army still gets me amped up. Then, in 2003 I went to the Austin City Music Festival. Kings of Leon weren't anybody yet - as evidenced by their Friday morning, 11Am slot on a side stage. They admitted not being awake yet - and then went apeshit berzerk for 45 minutes. I would wager that of the ~200 people there to see it, ~199 haven't seen anything like it since.
Johnny Cash had died a few days earlier. Roseanne Cash was supposed to play ACL, so instead the Drive-By-Truckers hosted a Johnny Cash tribute during her slot. For me, their 2003 Decoration Day was one of the best song-by-song albums of the decade. To kick off the tribute, they played video for Hurt, which is one of the most remarkable videos ever aired.
At that same festival, Conor Oberst fronted Bright Eyes played a respectible set from "Lifted or the Story is in the Soil, Keep your Ear to the Ground", but it was their 2005 "I'm Wide Awake, It's Morning" that was their best contribution to the decade. I still put this CD on when I cook on Sunday nights. Too bad they diluted it with the simultaneously released "Digital Ash for a Digital Urn".
KillerB2 and I went to the Newport Folk Festival in 2005 and saw Conor Oberst play a really cool set with M Ward, who has also had some great contributions in the second half of the decade, both as a solo artist, as the Him to Zooey Deschanel's She, and in the Monsters of Folk with Oberst and Jim James (Yim Yames).
Lastly, I'll throw in someone I've been listening to for the last month - Somali born K'naan. He did a killer Tiny Desk Concert on NPR's all songs considered:
I kinda lost track of my "places" theme - but I'm not going to re-write this. I'm sloppy.
Friday, December 11, 2009
Evil Gets His Feelings Hurt
Evil
Posted by
Evil
at
8:51 PM
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The 00s: Music that Mattered to xTian
Coming up with a top 10 list was actually really hard. So I did not do that, instead I did this. I thought about some key musical acts that I felt represented the decade thematically (either in terms of their success over the decade or a music trend that they somehow started or ended) and jotted down thoughts around key songs that propelled them into the zeitgeist
Arrogant? Yes
Well Conceived? No
Well Executed? eh
...do your worst!
More...
Crazy In Love: Beyonce (with Jay-Z) - No one could avoid this song (thankfully I was out of the country for most of its dominance). Jay Z decided Beyonce was the hot one in Destiny's Child and a nation agreed to avoid mocking her unattractive legs even when she refused to hide them. If Beyonce were Michael Jordan this would be her 63 pt game in the playoffs against Bird and the Celtics.
Such Great Heights: Postal Service - Ben Gibbard takes a break from wallowing in self pity to wallow in some self pity with keyboards. Manic Depressives, sexually abused emo-punks, tech heads and Nintendo aficionados unite under one banner(!) and pave the way for the Howard Dean campaign and Radiohead's return to Ok, Computer levels of greatness. Finally, it re-energized everyone's love for synthesizers, a subversive touch that quietly snaked it way back into our collective consciousness and exploded like Aphrodite out of the water with the emergence of MGMT and other like minded acts.
New Slang: The Shins - Nerds and frat boys come together to discuss the isolation brought on by teenage binge drinking...and totally miss the point of this song. The band goes on an aggressive multi-album initiative to alienate all their mainstream fans and re-embrace their core fans - repressed lesbians, child abuse victims and kids who got stuffed in lockers in high school...
Last Night: The Strokes - A couple of rich kids with a lot of hair decide that goofing on lo-fi punk recordings from the mid 70s would be better than getting real jobs. Most of Europe (and xTian) gets sucked in. The growing trend of old things suddenly being really hip and the irony intrinsic to hipsterism are brought to the forefront of our cultural consciousness in a way that only Dov Charney could have ever imagined. Of course in Dov's dreams there are more half naked teens...
Banquet: Bloc Party/Evil: Interpol - Once the Strokes exhaust the 70s lo-fi vibe everyone from London to Brooklyn agrees to release re-interpretations of every Depeche Mode albums from 1980-1986. This all came to a crashing halt with the Bravery and everyone just wished these guys would all get on a bus and fall off the back of a steam ship.
Seven Nation Army: The White Stripes - A guy and girl decide to flummox America by creating confusion around whether they are married or siblings - distracting everyone from the real question - what are these white kids doing in Detroit? xTian sits in the Berkeley Greek Theater and wonders how two people can produce such amazing music...I also think they took the drum and bass movement to its logical conclusion. I spent most of the late 90s hearing people ruin everything with some really "great" drum and bass. They actually did it well, and all these other jokers got embarrassed and became bankers or something. You know, so they could go ruin something else. Go f*ck yourselves drum & bass/banker douches...
Where Is The Love: Black Eyed Peas - BEP, a somewhat underground break dancing crew with occasional rap albums in late 90s, unleash their master plan for world domination - Step 1 - kidnap a recovering meth addict with lovely lady lumps Step 2. Force her to sing hooks on the most banal childish songs conceivable Step 3. Become the biggest "band" in the world even though no one plays an instrument and only two people seem to "sing". Step 4. Actively support their puppet in his bid to become leader of the free world. Step 5. Rule the world with an iron (though lyrically banal) fist...You think you're sooo smart will.i.am but I see your game. Go bend a spoon, you Matrix watching motherf*cker.
Hey Ya: Outkast/The Seed 2.0: The Roots featuring Cody Chestnutt - Before they became Jimmy Fallon's band The Legendary Roots Crew toured the country 3-4 times a year bringing the most amazing hip hop party/jam session to every town they visited - proselytizing the notion that there was actually music to hip hop and making it more palatable to a broader audience. Their efforts made the Jay Z Unplugged album possible/marvelous and pushed HOV to a new level of cross over appeal. It also laid the ground work for the neo soul movement and could be considered the proud uncle of what became backpack hip-hop movement. This where Outkast came and took the backpack pack hip hop movement out of the very specific Buppie element and broadened it by introducing a level of showmanship that had heretofore not been seen. Now, white kids can love a Talib Kweli record without having to assume the self loathing that is implicit in half of Eminem's songs...This has since been taken to its logical conclusion by Kanye West...
Brighter Discontent: The Submarines - You all know Submarine songs. You do. They license their music to every product you have ever imagined and are perfectly happy to promote their songs through any TV show that will have them. You've heard them on Grey's Anatomy, Gossip Girl, Nip/Tuck and potentially my forthcoming web series about two young boys trying to get girls to come to their poorly advertised rainbow party. Everyone uses TV shows and commercials to market their product, but The Submarines are the most pervasive. Apropos of nothing I will mention that the female lead, Blake Hazzard, is actually F. Scott Fitzgerald's granddaughter. She is also totally lovely. ET #1 and I went to their concert last year and watched her finish her set and get behind the booth and start hocking CDs and t-shirts the most upbeat disposition. All reasons to love her.
Since You Been Gone: Kelly Clarkson - Kelly Clarkson is totally different than most other pop singers. Despite being the first product off the American Idol assembly line she feels completely genuine. This is true for several reasons - her construction (on American Idol) was completely transparent most of America can draw a line from what we started to her SYBG roscker girl act and no attempt to tart her up has been even remotely successful. She is exactly who she is - a little fat, overly perky, decidedly unsexy, and unwilling to be a cypher (as proved by her song writing which at times has proven to be career limiting; proof point - most of us were completely unaware of her third album). I am shocked she is still famous. It's all kind of amazing...and her continued commercial viability is the standard that future basket job victims like Adam Lambert have to live up too...
Almost Crimes: Broken Social Scene - The idea of a rock super group is fairly old so rather than pursue that, Toronto's BSS evolved as a rather meticulously conceived and hastily implemented jumble of rock noise - a concept perfected later by Montreal's Arcade Fire. Disappointingly, this rumble of musical enclaves failed to exacerbate Anglo/Franco tensions to a fever pitch we are all demanding. In my head, I envision a snowy bar in middle 2006 and one scarf wearing Quebecer getting into a heated exchange/debate with some Toronto hipster that yielded no punches and several "ehs". 10 minutes in, the entire conflict would dissolve - they would then agree to disagree, toast with Molsens and agree that each band is popular thanks to their hard work and earnest presentation. Dull story, just like every other story that takes place in Canada. Still their influence is plain. The biggest benefactor from BSS was contributor Leslie Feist. She found great success in the later part of the decade and managed to include her old friends whenever she could.
Cape Cod Kwassa Kwassa: Vampire Weekend - I think there is something to the idea of incorporating world music elements (like soukous) into modern rock. Beirut did this with less success (and much less aplomb) earlier in the decade...I am excited for where this trend will end up
I will think about TV sometime next week and post those comments as well...